by Tom Ashley
John Palmer was a producer from Chicago who had moved to New York a year before I did in the late 1970s. We liked to feed off of each other’s ideas, our lives, and other nonsense in general. One afternoon, John asked me to come over to his office for a meeting. Most of the time not much gets accomplished, but they’re usually a lot of fun, and there’s always an interesting character or two in attendance. Business is an afterthought, but you always leave with a couple of good stories.
So I show up in John’s iconic, art deco office in the Chrysler Building, and he’s seated with a couple of other guys who are working out some details of distribution for a couple of films directed by John Cassavetes. One of the gentlemen at the meeting was Sam Shaw, a bona fide, big-time, Hollywood photographer, producer, writer, etc., who I knew as the man who captured that classic shot of Marilyn Monroe standing atop a subway grate while catching her skirt as it was flying towards the heavens for the film The Seven Year Itch. Sam also produced A Woman Under the Influence and Gloria, two films I greatly admired.
The meeting was running late, and I had to leave for a dinner party. Sam insisted on driving me home and then further insisted on introducing me to a friend of his who lived a couple of blocks from my apartment. Sam would not disclose his/her name. The doorman at the Fifth Avenue building greeted us, “Good evening, Mister Shaw. She’s expecting you.” She? Hmm.… We walk into the apartment and there “she” is. And, as it turns out, “she” is, Gloria Swanson, live and in living color. My head’s still spinning four-plus decades later.
As I sit in a total state of shock in her beautiful apartment, we’re all engaged in a conversation about current events and the state of the media when Gloria suddenly says to Sam, “I thought you had another engagement, Sam. Anyway I want to ask Tom a few questions.” I’m now paralyzed and panicked as we bid Sam a fond farewell. A phone call to my wife explaining the situation was greeted with “Bullshit!” and a hang up.
Gloria, then around eighty, and me thirty-six, are talking about her next project, a one-woman Broadway show about her life done with film clips and gigantic holograms. She was fascinating, very interesting, and extremely intelligent. That wasn’t all we talked about. She told me that her current marriage (turned out to be her sixth!) to the writer William Duffy was over. “I think he’s a little younger than you,” she says. Than me, I’m wondering? She was born in 1897, I in 1942, and it turns out Duffy in 1916, a year before my mother!
Now let’s just stop and consider me for the moment. She’s definitely an idol of mine. Sunset Boulevard is certainly one of my top five favorite films (and still is) of all time. I had no idea she was living in New York, let alone only a couple of blocks away. I’m in some sort of time warp. I’m beginning to feel a lot like William Holden. I’m thinking, good god, this woman was in silent films. She had an affair with Joe Kennedy along with an extensive laundry list of other notables. She’s stunning but in a way my grandmother was stunning. The conversation goes on: organic foods, fashions, the cable industry, her plans for the future, the unhappy marriage. Planning my escape is problematic. We end with my promise to return for lunch on the following Saturday. Did this just happen, I’m wondering?
I get to the dinner party and now I know what PTSD is all about. I’m lost and must have reverted to a vocabulary of three-letter words.
Saturday? I went to Gloria’s. She made me an avocado and sprout sandwich on sourdough bread. It was delicious. I tried to keep the conversation on business and what my vacation plans were with my wife and three children. She got the point. She promised to call me as the project unfolded. She didn’t. That was okay too.
Now that I’m eighty-four, I wish I could have preserved her in aspic so we’d have been the same age. She would have been great fun…amongst other things.
I’ve been blessed to have been supported by such a generous group of writers.