Great Explorations

by Tom Ashley  

My great-grandfather, Sir James Benston, was born in Mansfield, Ohio, on May 12, 1865, the penultimate day of the American Civil War. He was an engineering graduate of the Massachusetts Institute of Technology and was the inventor of many navigational aircraft and automotive instruments. His electrical navigation devices would save many sailors’ lives. His invention of shatterproof glass was universally accepted by airplane and automotive manufacturers. He owned substantial stakes in Ford, Chrysler, and General Motors. By the age of forty he was a wealthy man.

Those were days of great adventure and exploration in both the United States and Europe.  His prowess made him so well known that he came to the attention of Sir Ernest Shackleton, resulting in an invitation to join the team of the legendary Imperial Trans-Antarctic Expedition (1914-1917). He was the only American in the fifty-four-man crew. He was also the eldest by four years.

The story of his ship, The Endurance, has been a well-told tale for over a century, but my grandfather gave me further insight into his father’s psyche and how, for over eight hundred days, he feared each would be his last. However, my great grandfather survived and was knighted by George V and returned to Detroit, his wife, two sons and his business. He was shattered by his experiences and began to sell off all of his companies. He realized he had a larger calling. He convinced Henry Ford and the powers behind General Motors, Albert Sloan and Charles Kettering, to donate millions toward the cure of the devastating diseases of cancer and cardiac arrest. These automotive giants’ names now appear on two of the world’s greatest innovative research organizations. My grandfather and his brother lived comfortably but not extravagantly. They served on the boards of both charities until their deaths. My great- grandfather donated his entire estate to the study of disease. He died peacefully at age ninety-four on my seventh birthday, April 1, 1957.

As a boy I dreamed about walking in my great-grandfather’s footsteps. I’d see polar bears, I’d live in an igloo with Eskimos, I’d spear fish for dinner. Cold weather wouldn’t faze me. After all, I’d survived the forceful, dank Detroit winters in my seven or eight years. Shackleton’s Antarctic venture was voraciously covered in the then age of great exploration – essentially a failure on one hand – that had left three dozen men stranded on the ice for over two years. But for a young boy to be directly related to one of these men was awesomely important, and I too would head off into this world of adventure.

I dreamed of returning home and telling my friends stories of sailing the great oceans, meeting indigenous peoples, mushing my team of huskies through ice floes and of all my difficult but satisfying exploits. I’d be given a key to the city and be on the front pages of the Detroit Free Press, the Detroit Times, and the Detroit News. I would even be called to Washington to meet Ike at The White House. Maybe later I’d take my team to the North Pole and be the first person to do both expeditions and return to even further acclaim.

But I’ve abandoned those visions and now dream of having a vodka martini on the patio at the Ritz Carlton in Malibu, overlooking scantily clad sun bathers gracefully draping themselves by the Pacific Ocean.

I came to love writing fifteen years ago when I joined the writing workshop at the IRP. It became a learning and bonding experience.  Thoughtful critiquing led me to expand on memoir and fantasy, and the talents of others has proved a great source of inspiration.

 

A Slight Misunderstanding

by Tom Ashley

(Based on an Overheard Conversation While Waiting for my Appointment at Sy Sperling’s Hair Club for Men)

“In defense of myself, I did NOT say you look fat! All I said was you look like you put on a LITTLE weight. I mean big deal, who cares!”

xx“indecipherable response”

“If you would let me complete my thoughts –  you NEEDED to put on a few pounds.”

xx“indecipherable response”

“Don’t you remember when we went to The Met a few years ago? And we were looking at the Rubens? Well THOSE were larger women and I told you then how they looked sexy … and beautiful, too! Remember?”

xx“indecipherable response “

“Well, I DO! CALM DOWN, CALM DOWN, FOR CHRIST’S SAKE! Look, we’ve ALL gained a couple of pounds over the years. Well, even I HAVE, though not that many. I think there’s just a bit more of you to love.”

xx“indecipherable response”

“You don’t feel that way? A couple of extra pounds can help to smooth some wrinkles on a person’s face. It can make you seem even prettier. I hardly notice anymore.”

xx“louder indecipherable response”

“Are you getting angry with me? I meant this as a compliment. You BARELY had any wrinkles and as far as I’m concerned, you have NONE now!”

xx“even louder indecipherable response”

“HOLD ON! HOLD ON! As a matter of fact, just the other day I told someone your face, as far as I was concerned, showed NO SIGNS of aging. And you don’t even use Botox.”

xx“further indecipherable response “

“I think you’re taking this entirely the wrong way. Look, thirty per cent of the country is obese. And I certainly don’t consider YOU, of all people, OBESE!”

Pause.

“Hello, hello? Are you there? Hello?”

I came to love writing fifteen years ago when I joined the writing workshop at the IRP. It became a learning and bonding experience.  Thoughtful critiquing led me to expand on memoir and fantasy, and the talent of others has proved a great source of inspiration.

 

 

 

Saturday Night Fever

by Judith Meyerowitz

Trapped in a Groundhog flick
I open the window to change the frame,
watching the march of the food delivery fairies.
Not to be upstaged, doormen fashionably dressed in blue gloves and matching masks.

Chirp/Boom street birds’ tweets alternate with car rap bass
Can the virus travel on sound waves?

Shut the window
just in time for Cuomo’s chats
Need to hear his covid stats
Now down

Do I shoot up lysol or wait for chloroquine hallucinations?
In my altered state, I smile like June Cleaver and prepare another meal

GeeBees!!#
Why does the virus look like a disco ball?
I count pink and red
fuzzies before sleep,
Wuzzie all about?
 

Judith has taken several writing and poetry study groups since joining and is a member of an ongoing poetry group. She thanks Voices and all those coordinators for their encouragement and support. 

A Day in the Life: Spring 2020

by Jennifer Ross

7:00 a.m.
Joyful bird chorus
Bright bursts of blooms busting out
This heartbreaking spring

12:00 noon
On my daily walk
Masked figures pass, no smiles
Silent, empty streets

7:00 p.m.
Neighbors go outside
Clap, bang on our sounding bowl
Thanking our heroes

Coda, Spring 2021

Slowly we emerge
Drinking in smiling faces
Shoots of hope in hearts

Jenny Ross is from Cape Town, South Africa and taught English in high school and college.  She lived in Jerusalem, then Ann Arbor, Michigan, but has happily called New York City home since 1989 and although she loves traveling, doesn’t plan to move again. She is excited to see Voices.

Chapelle du Rosaire, Vence

To Henri Matisse

by Mireya Perez Bustillo

Where a clarity favors
royal palms over wedding cake buildings
he meditated on light

Here he wanted to draw the light
of the sea, the space, the mimosa
with bits of glass he colored
ripples to dance on white marble
a water moving to the sun
not knowing he could make a solid liquid
wanting only the light

Mireya Perez-Bustillo writes poetry and fiction in Spanish and English. Her poetry appears in MOM’s EGG; Caribbean Review; Americas Review; Dinner with the Muse, IRP Voices, among others. Her novel, Back to El Dorado (Floricanto Press,2020), a Latina coming-of-age story, is available on Barnes and Noble and Amazon sites.

Gallery View

by Mary Padilla
 

A moment in time
and space
–  frozen  –
as in Zoom,
suspended.
–  Leave and Return  –
They have to let you in.
You are in the Waiting Room.
What is on the other side
of that door?
Doors are virtual these days,
and apocryphal.

But the link is still there for 30 days.
There is no end time.
What does Time mean now?
It should be what keeps everything
from happening at once.
But what about
the parallel universes
we inhabit,
where we click
from one reality
to the next
and back again –
or not.

Everything happens
at once there,
except that there is
no single there.
but rather,
three-ringed circuses,
the net of Indra,
the many-stringed
multiverse.

And where are we in all this?
Are we in this?
If outside, where?
Given a place to stand,
could we move it?
What if there is
no place to stand?
And what would it mean
to move?

If nothing is fixed,
what then is our perspective?
That of the omniscent narrator?
Of the fish eye immersed
in a medium it can’t fathom?
And of what significance this?
If we can sense only
what we are primed to experience,
then we cannot perceive
what we do not expect.

Sensations are feelings.
We will not feel
what we cannot know.
Oblivious to the rest,
we each live now
in a world
of our own creation,
socially distant
in a fundamental way,
and alone.
What would it mean
to connect?
 

Since coming to the LP2 several years ago, Mary has been trying new things, like applying the economy of the poetic form to expressing what can be more felt than understood.

Annunciation

by Mary Padilla

Is that what it is, then?
Something that puts in motion
a sort of cascade?  Personal?
Write it down
before it slips away.
Such things don’t usually
need setting up.
They come into being
by themselves.  Impersonal.
Maybe the pieces aren’t ready
to be locked into place yet.
To need to do this thing,
but not necessarily
because it’s likely to succeed,
It’s an exchange with the part that
observes, integrates,and only manifests
when the synthesis is complete,
to wake up with it in mind,
and live with it always before you,
as a sort of waking dream –
like the cuckoo in the clock
that makes its presence known
only intermittently – rarely –
then quickly disappears again.
when the fit is on, you must do it.
And so you discharge it, this necessity,
It won’t be coaxed out again
until it has something else to say,
and that fully formulated.
deliver it in the doing.
Or don’t, but then it will persist.
This sort of thing doesn’t – can’t – happen
on demand, under contract, or by a deadline.
Not exactly taken over,
haunted, preoccupied, obsessed,
you simply must pursue it,
if you are possessed by it,
or it just might destroy you.
It just bubbles up
when it’s ready
and can no longer be contained.
Not its agent,
but rather reduced to it.
All that can be done is
to give it the time it needs,
as everything else is stripped away,
superfluous to what it in essence is,
this thing that can exist only through you.
and then record the result
What matters is the essential need
for this inessential thing,
meaningful perhaps only to you,
to be,
when it’s ready
and to continue being,
to be delivered.
even after you no longer are.
 

Since coming to the LP2 several years ago, Mary has been trying new things, like applying the economy of the poetic form to expressing what can be more felt than understood.

A Bio Genetic Uprising

by Judith Meyerowitz

Shadows are marching between our hi riser twins
Eyes shut to the advancing lumps, the great lump in the other bed, snores
My “twin” is almost ten years older and always beats me to sleep
Deserted, I watch the little black puffballs roll stealthily through the night
I can smell them as they draw closer
Aliens have invaded Brighton Beach and I am the last line of defense
Between my bedroom and the homeland.
I stand my ground.
A warm squishiness attacks my toes
I dive under the covers of my dugout
Motionlessness my weapon.
Unseen, unheard, be gone
Morning lights the battlefield.
The great lump rises and screams:” Get your dirty socks out from under my bed!”

 

Judith has taken several writing and poetry study groups since joining and is a member of an ongoing poetry group. She thanks Voices and all those coordinators for their encouragement and support. 

 

 

Hack Back

by Judith Meyerowitz

You open my email account
Oblivious to the years I’ve inhabited it.
When unexpectedly. It chimes: “You’ve got my mail”
Startled but yet in disbelief, you ignore the first visitation
And set loose your virus on an unsuspecting population.
“Can you do me a favor?” You write
My name and invade my world
Then unexpectedly. My family, friends, acquaintances, associates spill onto your computer
A tsunami of letters flood your keys

You spin your chair around
Only to see a wave of @s rise up.
You scream in terror and race against the rolling addresses

In red you tumble down the swirling vortex
In blue the waters of fantasia engulf you
And in yellow-
The @s spiral out of the cartoon frame and wrap you in the entrails of my emails.

Judith has taken several writing and poetry study groups since joining and is a member of an ongoing poetry group. She thanks Voices and all those coordinators for their encouragement and support. 

 

Urgent Request to My Dell Desktop Computer

by Carmen Mason

I would rather anyone –
my old self-absorbed mother sitting
in the dark remembering Charlie Rose,
either of my darling daughters
stopped momentarily from wrestling
with the disappointing universe,
a friend of my youth still my loyal friend,
even my obstetrician neighbor with
caked and tarred nails from slip-
shod boat patching and roof repairs or
Tony-Deli while handing me
the lacy Swiss cheese on toasted rye
or the two year-old who’s
just learned how to talk,
twelve-year-old Mack in his autistic ecstasy;
even Scotty who sells the yard sale
giveaways at his nouveau antique store
or Antoinette in overalls with her two-foot
wooden crucifix and rosary suddenly ceasing
her chanting to inform me Jesus’ll definitely
be here today
or the deaf pony-tailed carpenter whose
hundred keys announce his coming,
Elliot, the sweet starving artist or
Sylvia while she files the brave and weeping
diaries of her COVID clients or
Jimmy, the raging cross-dresser  while waiting
for his bus to eleventh-grade Hell-
and yes, my love, after kissing my hammer toe
and letting me dance atop his socked feet
(though it might pain him)-
anyone but YOU
can break the news to me:

YOU HAVE NO MEMORY LEFT……….
YOU ARE OUT OF MEMORY……….
YOU HAVE NO MEMORY LEFT………

 

I’ve been writing prose and poetry since I was six. Won the Ist prize in Seventeen Magazine’s short story contest at 17 and several poetry prizes through the years. I write because I cannot help myself. I write to empty out the thoughts I cannot hold inside a day or hour more.