Sleeping Beauty Meets the Frog Prince

by Nancy Yates

Suspended in that time and place,
in sombre dark and heavy space,
Beauty sleeps and waits for her bright
Prince to come along,
to give her back her light, her life,
she waits to be transformed,
to be his Queenly wife.

Then one fine day, the Prince appears
and Beauty opens eyes and smiles
and knows
he’s there for her,
an end to all her sleepy woes.
He leans to kiss her upturned nose
but sneezes loud and undergoes
a curious change of heart and mind.

He stares and blurts (he’s quite unkind)
“Your makeup’s worn,
your silk dress torn,
your glass case musty
the castle dusty as can be
you’ve put on weight, it’s clear to see.

No doubt, just lying around for centuries
has dimmed your suitability
to be the kind of lovely spouse
who’d serve and keep a tidy house.”

While she’s astonished and less groggy,
her suitor looks more froggy
every moment she hears him speak.

But now she’s done with prince and frog.
She’ll seek, with her retriever dog,
a magic portal to the Mortal
World, and find
a brand of man
who’s princely on command.

Nancy Yates took a poetry class some time ago at JCC and thought it would be fun to send a few poems to Voices for consideration. She now considers herself published.

Mauve

by Nancy Yates

Mauve was a harlot, worse than a scarlet
woman.
Mauve was unnatural, her family tree and pedigree
a minor scandal at the time.
Mauve’s midwife was a man,
a modern Merlin of chemistry.
He managed to change fashion history!
From coal mine depths to dressing room
an unexpected social boon,
Mauve ascended to gentility
and sashayed with the grand nobility.

Apropos—
Mauve has her suspicions about Indigo.

Nancy Yates took a poetry class some time ago at JCC and thought it would be fun to send a few poems to Voices for consideration. She now considers herself published.

Mrs. Warecki

by Sarah White

I know she’s coming when I hear the sounds—

something between a humming and a mewing
as if a hungry kitten
had strayed into the building.

Leaning lightly on her cane, she taps her way
around the lobby. Afraid of wind,
she wears a scarf and hat too heavy for the summer.

With taps and cries, she signals
other widows in the building—
telling us
her husband died last year,
her younger daughter the year before,
from cancer, and the other daughter’s coming later

to take her walking in the winds of summer.

Author of Cleopatra Haunts the Hudson (Spuyten Duyvil, 2007) and Alice Ages and Ages (BlazeVox, 2010), Sarah White has given up writing poetry hundreds of times.

You Are a Time Capsule

by Sarah White

Quick! The street is coming up
to meet you. Please
put a hand between
your face and the concrete.

You’re a sight
for Samaritans. Are you
alright? Let them
help you up. Or,

sink through
the sidewalk. Underground,
you’ll be a find
for archeologists

who read inscriptions
on the walls of your mind—
phone numbers, birthdays,
opera plots.

No one has ever seen a brain
take so many blows and retain
every line the Countess sings
in The Marriage of Figaro.

Author of Cleopatra Haunts the Hudson (Spuyten Duyvil, 2007) and Alice Ages and Ages (BlazeVox, 2010), Sarah White has given up writing poetry hundreds of times.

Fragments from my Wanderbook: Russian River Cruise

by Elaine Weisburg

While we drift past painted cottages, onion domes, birch groves,

Yale Professor Steinberg lectures on the Russian intellectual’s obsession with
peasants:
One image sees them patient, suffering, compassionate, in touch with nature,
another image sees debauched savages.

Steinberg explains a deviation from the announced program,
“You haven’t seen the arranged-for correct
convent because someone stole the money
the travel agents sent. You should not have been
charged for seeing Dionysus in the compromise cathedral
and you should have been told why you should have seen it.
You have just had a real Russian experience.”

In Uglich at a bend in the Volga, a small languid city founded
in the tenth century, I stand spellbound at the spot
where henchmen of Boris Godunov murdered nine-year-old Dmitri,
the only heir of Ivan the Terrible. Two steps away a woman is
selling gorgeous rag dolls in ornate peasant dresses.

Among the notes from a lecture on Turgenev,
“We haven’t decided the existence of God
and you want to EAT? !! ”

 

Elaine was a design reporter and features editor at House & Garden and House Beautiful for more than three decades. She is also a memoirist but only dared to attempt poetry in Sarah White’s class.

Likes to Dress Up

by Elaine Weisburg

I’ll seduce her as a goose thought Zeus
On meeting Leda.
A second thought made him deduce
She’d find a swan was sweeter.
Antiope, now, she got a satyr,
Fair Europa faced a bull,
Identities were rather loose
For Zeus, whose card was full.

 

Elaine was a design reporter and features editor at House & Garden and House Beautiful for more than three decades. She is also a memoirist but only dared to attempt poetry in Sarah White’s class.

Northeast Corridor

by Walter Weglein

Above me, 180 planes an hour stutter,
approaching Newark.
On my right, just yards away, trains toot,
tracking to Hoboken.
On nearby roads, ceaseless traffic seeks the City.

To my left, in a little park, children shout, run and splash.
I lounge in my lush garden,
a giant pine shading my little red house.
High in the blue, white streaks etch the sky, blur and vanish—

Walter Weglein:
Word Power
A writer all his life,
he’s never thought to strive
to write a poem.

But 18 years in IRP
have given him the “chops” to see
he can show ’em!

Stones

by Fred Shinagel

He wasn’t a swinger of  birches.
He was a kicker of stones.
Down the earthen path.
Down the broken street.
 
Impulse
Movement
Impact
 
Control
Contact
Satisfaction
 
Boys know the rooted feeling.
Men remember as well.
 
So different from skipping them on a still pond.
 

Fred Shinagel: Retired from Wall Street, a neighbor of The New School for 49 years, a graduate of the Cooper Union and MIT, has again found expression via the right side of his brain with charcoal, pencil and poetry.

A Belated Hooray for the MTA

A memoir by Mary Houts 

For several weeks after we moved from the country to Brooklyn, I dreaded the idea of taking the subway by myself. Going with my husband was fine.  He grew up near New York City and was an old hand.  But to me, the subway was forbidding and suspect. It was dark, smelly and scary.  I saw rats down there on the tracks.  I thought that if I stood on the yellow line along the edge of the platform I might suddenly fall in.  How could I be sure that the route wouldn’t suddenly be changed without my knowledge?  Using the subway system on my own was one of the most difficult adjustments that I had to make to city life. I despaired of ever feeling like a real New Yorker.

At first I tried to reason with myself into going solo, but without much success. The process went something like this:

Argument:  “You take trains and buses without any fuss, so what’s the big deal.”

Counter-Argument:  “Trains and buses travel where you can see the sky and the earth. The subway is unnatural, it moves you around in the dark.”

Argument:  “You’re not a novice at riding subways in other cities, so why should the MTA seem so repellent? Couldn’t you drum up the feeling of adventure and excitement that you used to feel when riding the London Underground or the Paris Metro?”

Counter-argument: “Everything is an adventure and exciting in a foreign country. Besides, those two cities give you a lot more information at each station about where you are and how to get where you’re going.  The MTA, on the other hand, is a little coy about putting up maps. They’re not always where I can find them. Much of the time their announcements are made by people who mumble into P.A. systems that seem to be designed to muffle sound. At rush hour it’s impossible to see station names through a solid wall of  standing humans.  I like to know where I am at all times.”

Argument:  “Think about it, you rode the subway on trips to New York with your mother       when you were a little girl in the 1940’s and you remember those trips were fun.” 

 Counter-Argument:  “My mother knew her way around.  Besides, back then subway rides were one of  the few times I ever got to eat candy. They had those machines attached to platform posts that you put a penny into and a little Hershey bar came out.  The MTA doesn’t have those anymore.”

 Argument:  “Millions of people ride the subways each day in New York City and don’t seem to  mind.   Could they all be wrong?”

 Counter-Argument:  “Very possibly.”

This kind of internal struggle between my rational and not-so-rational-self went on for some time.   But we no longer had a car and I finally realized that we would go broke if I continued to take taxis on my frequent trips to Manhattan and to the Brooklyn Botanic Garden.  I decided that there was nothing for it but to take the plunge.

The MTA’s HopStopNYC website proved to be a godsend.   It seemed like a miracle that it would tell me exactly how to get from my house to any address in the five boroughs.  Using it always gave my spirits a boost.  It was like following a treasure map with very explicit instructions. And the fact that it let me know how many calories I would burn up and how much air pollution I would be saving made each trip seem like both a health bonus and a public service. For a while I kept the HopStop  print-outs clutched firmly in my hand  every time  I reluctantly descended into the maw of  a station to make my way into the unknown.  Amazingly, the trains went where they were supposed to.  Even though there were still moments of deep concern when a train seemed to be taking an unusually long time to get from one station to another, or when one would stop between stations for no apparent reason, the MTA slowly began to gain my trust.

I began to relax enough to start looking around at my fellow passengers.  At first I couldn’t understand why old people like me were so poorly represented. It didn’t take long for me to learn from my own experiences as someone well over 70 that using the subway almost daily is not for sissies.  On the days when I was feeling my age, dragging myself over to the station and then facing the stairs and the crowds turned out to be quite a challenge. One excellent thing about being an old person on the subway, however, was that when it was crowded someone usually offered me his or her seat.  At first I hated it and thought, “Damn!  Do I look THAT old?” but I soon learned to accept gratefully.

Even though there aren’t many old folks, large numbers of people of all other ages in all walks of life can be seen.  In fact, people watching on subways is, I discovered, about as good as it gets. Unlike making my way on the sidewalks of Manhattan where it is necessary to concentrate on not getting mowed down by fellow pedestrians, riding on the subway gives me time  to observe the people I see and to mull over the human condition.  Plus, on the lighter side, people on the subway provide an on-going fashion show which helps me keep up with the trends.   From my forced examinations of riders’ extremities during rush hour excursions, I am able to report that men are favoring square-toed shoes this year.  And much to my dismay there is an alarming tendency recently among young women (and some older ones) to exit their apartments wearing tights uncovered by a skirt or slacks. On some this looks better than on others. There are also wonderfully unique ensembles to behold.  I remember being on the ‘A’ Train going uptown and seeing  a man with a bushy beard who was wearing blue jeans, work boots and a black and red checked flannel shirt. This outfit didn’t seem to harmonize with his waxed and curled moustache and his red nail polish, but after all, I reminded myself, this is New York.

Now that the subway system no longer seems like an evil adversary I have grown to respect it mightily.  I am in awe of the fact that it provides remarkably efficient transportation for this enormous metropolitan area at remarkably low cost to users. Riding it has taught me to stay alert to where I am and who is around me. And now that I have become more sure of myself as a passenger I have unparalleled opportunities for people watching. It  gives me time to get a lot of reading done as well.  I’m beginning to feel like a real New Yorker.

 

Mary Houts left her car behind when she moved three years ago from a farm in Pennsylvania to an apartment in Brooklyn. Learning to get over the initial shock of having to trade  door to door  trips under her own steam for public  transport has been only  one of the challenges and  many joys that she has discovered are a part of city life.