No More Dreams

by Mark Fischweicher

Dead of winter

xxxxxxxAll the leaves are brown and
xxxxxxxthe sky is gray

Pine needles carpet the woodland trails,
and, with its monochrome horizon,
the landscape unfolds and,
even as the days
begin to grow,
you never know where
the moon will be
but that the sun will rise above the barren trees
seems likely for a few more years,
or centuries, or maybe
a millennium or more, but,
at least, this year, I think
that spring will come
and so will summer

and so, for now, to keep them happy
every other morning, I fill the feeder with nuts and seeds and tasty
bits of fruit
and watch for black-capped chickadees
and purple finches, and
dark-eyed juncos,
and maybe one or two black-backed three-toed woodpeckers
or just a few, a trio or a chorus if they will of some black-throated warblers
with something smart to say or
mourning doves or all the Cardinals and their families
come to church just for the day
till evening when I take the feeder in
as once a bear had come in from the woods behind the house
and bent the steel pole it hangs on
like a twig, but
it is not the birds I think of now
who spend their days here, dependable as sun.

No dreams for me
My only two nocturnal visitors are just the two opossum that
come looking for the nuts and seeds and bits of fruit their feathered friends
have scattered in the grass and fallen snow.

I watch for them
am pleased when they return,
old friends should never be forgotten
I shave with Toby’s brush,
badger,
not so unlike opossum,
but he, no,
he will not return.
Ancient peoples, plagues and parents,
no monuments for these,
Perhaps some footprints in the snow will prove that they were here
and as it always seems,
the path leads to our home
welcoming the darkness as it falls
within it
A quiet comfort before the sleep I take alone,
and I,
with you beside me,

all aflutter

Mark Fischweicher has been scratching out poems since junior high school and still hopes it may become a regular thing.

 

On the Bus

by Mark Fischweicher

Jeans so tight I would worry about ripping them just getting them on,
but they were ripped already.

With sky blue hair, long and full of manufactured curls
that matched the jeans.

She reminded me of the woman on the train yesterday, Easter Sunday,
obviously riding back from the parade.
Quite a bonnet!
The closest we can come to looking like
the cherry blossoms in the park,
covered with petals and rainbow colored satin eggs
she looked like she could easily tip over
and no one batted even an eye
on the IRT
reminding me again of ‘Blue’
on her way to work on Monday morning

Later, I walked through the little park on Second Avenue
only two blocks wide with a fountain in the middle,
not turned on yet but surrounded with tulips in full bloom
as colorful as any hat in the parade

Where a nurse or aide helped an old man with a walker
to the edge of the circle to get an even better view.
Tulips have so many colors
“So beautiful,” I said and she agreed,
“So blue.”

Mark Fischweicher has been scratching out poems since junior high school and still hopes it may become a regular thing.

On the Bus

by Mark Fischweicher

Jeans so tight I would worry about ripping them just getting them on,
but they were ripped already.

With sky blue hair, long and full of manufactured curls
that matched the jeans.

She reminded me of the woman on the train yesterday, Easter Sunday,
obviously riding back from the parade.
Quite a bonnet!
The closest we can come to looking like
the cherry blossoms in the park,
covered with petals and rainbow colored satin eggs
she looked like she could easily tip over
and no one batted even an eye
on the IRT
reminding me again of ‘Blue’
on her way to work on Monday morning

Later, I walked through the little park on Second Avenue
only two blocks wide with a fountain in the middle,
not turned on yet but surrounded with tulips in full bloom
as colorful as any hat in the parade

Where a nurse or aide helped an old man with a walker
to the edge of the circle to get an even better view.
Tulips have so many colors
“So beautiful,” I said and she agreed,
“So blue.”

 

 

Mark Fischweicher has been scratching out poems since junior high school and still hopes it may become a regular thing.

 

Long Gone (a pantoum)

by Mark Fischweicher

 

Huddled within their own bent and twisted ruins,
Utah Junipers let parts of themselves die
…………………………to save the rest.
Ancient leafless branches curl up close to living stems,
Remembering what could have been
…………………………………..or,
……….what once was.

Letting parts of myself die to save the rest,
Revising this and that of some forgotten vision here,
Imagining what could have been once, was,
I turn my gaze away from thoughts that only went so far.

Rewriting bits and pieces of some old notations,
Quieting the old piano
I keep my eyes averted from notes that simply linger in the air
No eulogy will raise memorials there, no stones will mark the place

The old piano…    quiet now
with all our singing done,
I eulogize, I do.     I mark this place
But moss already grows upon this tome

With all our singing done,
I huddle in my own entangled shell
The moss already growing where you had gone
our limbs uncurled, untouched by these old arms.

 

Mark Fischweicher has been scratching out poems since junior high school and still hopes it may become a regular thing.

December, Harlem River

by Mark Fischweicher

 

This morning all the trees got old.
Fuzzy stubble on their leafless crowns.
Snow-flakey,
dusty, and already bald, as if
the slightest wind
could end
it all.

The sky, an equal grey.
Gulls, cut from the same,
the river, too.
The train,
the steel of the bridge,
the water, all a leaden,
somber, dingy, dreary hue.
The current on its schedule, though,
still moves beneath and through.
It makes you yawn, it does
No need to be involved.

It’s hard to tell the living from the dead
along the banks;
I shudder at the stillness,
try not to think of sorrow
in winds to come

so brittle, soft, and bare.

No time to lie dormant here,

 

 
Mark Fischweicher has been scratching out poems since junior high school and still hopes it may become a regular thing.

Before It All Turns Gray

by Mark Fischweicher

In Tucson, people sit tossed
among the fractured cliffs of
two low hills by
Gate’s pass, gauging sunsets
or as it happened once,
when I’d already stood to leave,
and the light slipped out
from under the fast becoming grim horizon.
Light from darkness;
……..catching the Eastern! fringes of
a skyful
of leadened clouds
and scratching them
with bloody fingers
Backwards
cross their splintered edges
as if Dawn were coming now,
Helios waving
from east to west
good-bye.

Imagining the ‘day’ that might have followed
we all applauded.

Imagining the cold dark day,
hundreds of absolute hands.
And the line of headlights leaving, the only ceremony, and
darkness, the only encore.

And yet, you see,
for me, it is the moon
in bed with the mid-day sky
that I love most.
………………………..There.
As if it were there all the time
day in, day out
shoved out on stage while the sun
still has all the lines.

In swells and streaks its light
defines itself.

Demanding I go see

 

Mark Fischweicher has been scratching out poems since junior high school and still hopes it may become a regular thing.

Canine – A Sestina

by Mark Fischweicher

More than fifty years ago, I bounced, backwards; sinking like an anchor,
in the Long Beach pool. My chin, chopped by the edge, my teeth,
bloodied, but cooled, soothed by the sudden disinfectant bath that enshrined
them  —    Lifeguard’s advice: go home kid!  Without a doubt, these
…………………………………………………………………dried out boney relics
were a long time coming.  I was round ten, then but that was probably
…………………………………………………………………………………the root,
the first cause of it all. .I bet my eyeteeth on it, my tusks, my canines.

 

Overcoming obstacles, on either side of a Buddhist altar sit elephant tusks,
……………………………………………………………………………..not canines
as I thought, but incisors, like the ones pulled by my dentist,
…………………………………………….one by one, from their jaw bone anchor,
along with the occasional bicuspid or molar (maxillary or mandibular),
……………………………………………………………………………and their roots
making me, now (wisdom gone decades ago) just about toothless,
and my little (5” tall) bamboo, souvenir, two-story jewel-box house…
…………………………………………………………………a tiny mini-reliquary
where now reside the remnants of my mouth…enshrined.

 

Not like Siddartha’s, pulled from his funeral pyre, with palaces and shrines
built up to hold them, with princes and kings at WAR to own those canines.
Nor like George’s – cow, horse, HUMAN, walrus, ‘Presidentures’ –
………………………………………one full set left amongst the other relics,
the pewter spoons, the painted plates and porcelain pitchers of Mount Vernon,
………………………………………..but not one good tooth to anchor
to. (He had some odds and ends in a desk drawer there, hoping to add them,
………………………………………………his “own, two, small teeth”)
to the set… And, still desperately hoping to recapture NY, despite the English
…………….victories in the south, he stayed rooted

 

Where he was. “Little prospect of being in Philly, soon,” his ‘captured’ letter
………………………………….to his dentist read. He, by Then, ‘enroute
(upon advice of Rochambeau) to Yorktown   “Check out the cannon display,”
…………………………………..a tourist wrote of that old battlefield shrine,
“It’s easy to picture history coming to life here.” Not that they (or I) could see
…………………………………….it coming, like a kick in the teeth
or a baseball my son pitched, ‘warming up,’ before I had my mask on.
……………It is a Dog Eat Canine
World out there, and that last ‘two-seamer’ truly loosened ‘em up. Now, like
…………………………………………….George, nothing left to anchor
the new bridge to, to latch on to as walruses use their own tusks to do, pulling
……………..themselves up on the soon to be relic

 

Of the past, the arctic ice, its cold wisdom keeping storms down;
……………………………………………..with polar bears afloat on relics
of their own. How can we ask them to pull up their roots,
when for us, it is said, “the foot feels the foot when it feels the ground,”
…………………………………………………………………..anchored
in some primeval belief that we are here together, not bowing to the shrines
of human progress, knowing that the obligate carnivorism that the elongated
……………………………………………………………………………canines
the sabre toothed cat enjoyed, may in fact have led to its own extinction, teeth

 

Not withstanding. As I lose them, I think of you, narwhales, walruses and
……………………………………………………tigers; let us fight, tooth
and nail, to save our home, before our blue earth is consigned to become just
……………………………………………………another relic,
afloat in the darkness. What can we do against it? We can’t wait until its
…………………………………………………..raining cats and canines.
We can’t disregard our own flimsiness, as dependable as any wispy cloud
……………….without roots;
i.e., the eternal light on the flagpole in Madison Square is always going out.
……………..What kind of shrine
is that? “In memory of those who have made the supreme sacrifice,” someone
……………………………………………………..has pulled up the anchors

 

Alas, poor Yoric, is there no sanctuary, no shrine where I can worship
…………………………………………………..something more than relics,
where poetry comes every moment without pulling teeth, where my sorrow
……………………………………………..does not weigh me down?
I hope I haven’t led you astray trying to root this out, O Kali, dark goddess of
…………time, against these demons,
……………………………………………………bare your fangs

 

Mark Fischweicher has been scratching out poems since junior high school and still hopes it may become a regular thing.