Genus Gefilte

by Judith Meyerzowit

Gefilte fish swimming in a green jello mold
Far from the heights of aspic
Into the lower depths to
Where electric eels roam
St. Patrick at the Passover table
Worshipping at the altar of savory/sweet
While the jello, sucking up to the guest, jiggled a jig
Knocking itself off the plate and into a nearby fish tank
Yikes! The Gefilte dropped to the bottom like a rock
Too stuffed to rise, it languished for centuries
until Ichthyologists announced the new find
A beige oblong species covered with green slime

Judith has taken several writing and poetry study groups since joining and is a member of an ongoing poetry group. She thanks Voices and all those coordinators for their encouragement and support. 

 

A Bio Genetic Uprising

by Judith Meyerowitz 

Shadows are marching between our hi riser twins
Eyes shut to the advancing lumps, the great lump in the other bed, snores
My “twin” is almost ten years older and always beats me to sleep
Deserted, I watch the little black puffballs roll stealthily through the night
I can smell them as they draw closer
Aliens have invaded Brighton Beach and I am the last line of defense
Between my bedroom and the homeland.
I stand my ground.
A warm squishiness attacks my toes
I dive under the covers of my dugout
Motionlessness my weapon.
Unseen, unheard, be gone
Morning lights the battlefield.
The great lump rises and screams:” Get your dirty socks out from under my bed!”

Judith has taken several writing and poetry study groups since joining and is a member of an ongoing poetry group. She thanks Voices and all those coordinators for their encouragement and support. 

 

 

Hack Back

by Judith Meyerowitz 

You open my email account
Oblivious to the years I’ve inhabited it.
When unexpectedly. It chimes: “You’ve got my mail”
Startled but yet in disbelief, you ignore the first visitation
And set loose your virus on an unsuspecting population.
“Can you do me a favor?” You write
My name and invade my world
Then unexpectedly. My family, friends, acquaintances, associates spill onto your computer
A tsunami of letters flood your keys

You spin your chair around
Only to see a wave of @s rise up.
You scream in terror and race against the rolling addresses

In red you tumble down the swirling vortex
In blue the waters of fantasia engulf you
And in yellow-
The @s spiral out of the cartoon frame and wrap you in the entrails of my emails.  

Judith has taken several writing and poetry study groups since joining and is a member of an ongoing poetry group. She thanks Voices and all those coordinators for their encouragement and support. 

 

Urgent Request to My Dell Desktop Computer

by Carmen Mason 

I would rather anyone –
my old self-absorbed mother sitting
in the dark remembering Charlie Rose,
either of my darling daughters
stopped momentarily from wrestling
with the disappointing universe,
a friend of my youth still my loyal friend,
even my obstetrician neighbor with
caked and tarred nails from slip-
shod boat patching and roof repairs or
Tony-Deli while handing me
the lacy Swiss cheese on toasted rye
or the two year-old who’s
just learned how to talk,
twelve-year-old Mack in his autistic ecstasy;
even Scotty who sells the yard sale
giveaways at his nouveau antique store
or Antoinette in overalls with her two-foot
wooden crucifix and rosary suddenly ceasing
her chanting to inform me Jesus’ll definitely
be here today
or the deaf pony-tailed carpenter whose
hundred keys announce his coming,
Elliot, the sweet starving artist or
Sylvia while she files the brave and weeping
diaries of her COVID clients or
Jimmy, the raging cross-dresser  while waiting
for his bus to eleventh-grade Hell-
and yes, my love, after kissing my hammer toe
and letting me dance atop his socked feet
(though it might pain him)-
anyone but YOU
can break the news to me: 

YOU HAVE NO MEMORY LEFT……….

xxxxxxYOU ARE OUT OF MEMORY……….

xxxxxxxxxxxxYOU HAVE NO MEMORY LEFT………

I’ve been writing prose and poetry since I was six. Won the Ist prize in Seventeen Magazine’s short story contest at 17 and several poetry prizes through the years. I write because I cannot help myself. I write to empty out the thoughts I cannot hold inside a day or hour more.

The Artist

by Carmen Mason

          When you start   everybody and everything

           is there with you    past   present   friends   family

xxxxxcritics   strangers    and all the greats

the empty brain-washed canvas

xxxxxbrushes    oily rags

xxxxxpaintswirls on the palette

xxxxxwaiting

 

or     the empty pages in  your head 

xxxxxwords   flit  like

xxxxxhummingbirds


xxxxxthen finally

xxxxxall leave one by one
 

xxxxxyou’re  all alone

xxxxxand   then

xxxxxif you’re lucky

xxxxxreally lucky on this day

 xxxxxyou leave too

I’ve been writing prose and poetry since I was six. Won the Ist prize in Seventeen Magazine’s short story contest at 17 and several poetry prizes through the years. I write because I cannot help myself. I write to empty out the thoughts I cannot hold inside a day or hour more.

 

look, how beautiful

by Rosalie Frost 

a small, square tan cardboard box
containing a coil of film
found at the back of a drawer
after my mother died —-
scuffed, bruised, corners crushed,
stamped in German and Hungarian
“persons unknown, return to sender.” 

a small, square tan cardboard box
containing a coil of film
sent by my mother in 1944
to the brothers she left behind,
to whom she continued to write
as penance, as hope.

a small, square tan cardboard box
containing a coil of film
shows my mother, a flower drooping from her lapel,
shoulder length waves of left parted hair,
picture hat tilting the other way
rocking me, lifting me,
thrusting my fat perfect nakedness
toward the camera as
her lips open and close —-
look, how beautiful 

My creative writing is not tied to anything in any of the professional lives that I have lived. Writing comes out of my life-long devotion to reading beginning at about 7 years of age. That was when my parents took me for the first time to enroll in the local library, where they had to sign a form promising the librarian that they would be responsible for the privilege accorded me of taking care of books, including borrowing and returning them on time. Sometimes, I would stay in the library to peruse those curious adult books without any pictures, just pages of big words I could sound out but never really comprehend. My imaginative life grew and just seamlessly morphed into writing —-

Garden Snails

 by Rosalie Frost

As I leave my house late
in a headless rush, I yet would
stop to kneel down and gaze at
snails crossing my path —-
their beautiful houses carried
on their backs — banded
spiral knobs, no two alike —
parti-colored periods or, if
their soft heads and necks extend,
exclamation points.

Once, while gazing out my window
after heavy rains, smiling as
my concrete driveway hosted
a slowly moving parade of garden
snails exuding soothing slime to
smooth their rough traverse —-
I saw a tiny hunchbacked
crone all in black, seemingly out of some fairy tale
—- or maybe just the old country —-
stop on the sidewalk opposite my window,
smile as I did at the migrating groundlings separating us,
hunch her back down further,
scoop all of them up into plastic bags
spelling out words in cursive red saying
thank you and have a nice day

My creative writing is not tied to anything in any of the professional lives that I have lived. Writing comes out of my life-long devotion to reading beginning at about 7 years of age. That was when my parents took me for the first time to enroll in the local library, where they had to sign a form promising the librarian that they would be responsible for the privilege accorded me of taking care of books, including borrowing and returning them on time. Sometimes, I would stay in the library to peruse those curious adult books without any pictures, just pages of big words I could sound out but never really comprehend. My imaginative life grew and just seamlessly morphed into writing —-

 

 

 

Et in Arcadia Ego

by Rosalie Frost 

Such intense and persistent longings
for what we did or who we were
before this pandemic:
wasn’t life more antic,
with less panic?
Such nostalgic longings may be unwise —-
long-ago, old tales in many lands
tell of preturnatural worlds where
irrevocable acts cannot be unmade.  

I
Orpheus, the magician and musician
escaping upward from hell, Eurydice
in his wake, turned around
and gazed back, losing all. 

II
Eden’s benevolent god in a deathless
neverland banished disobedient creatures
whose descendants idealize a sinless existence
set within a false pleasure garden
where benevolence masked
truths spoken by a snake. 

III
Mortals yearning to escape from
their unhappy, all too much
damaged world, are lured away by
Arcadia’s pastoral, idyllic landscape
seen within a shimmering sound
growing at the corner of one eye.
Into this unspoiled world dreamed
into being by gods and demi-urges,
mortals find refuge elusive:
rugged mountains with no footholds,
vast green forests where
light has little purchase,
roaring rivers and streams
never calm enough to ford. 

Entering Arcady by misadventure, mortals
are drawn everywhere and nowhere by
a strange music played by Pan, who rules here —-
a rustic god with body neither
goat nor man but both, yet so
beloved by all on Olympus for playing
such sweet songs on his reed pipe —-
songs that if heard by trespassing mortals
cause them to walk in endless circles
with no way back but madness. 

My creative writing is not tied to anything in any of the professional lives that I have lived. Writing comes out of my life-long devotion to reading beginning at about 7 years of age. That was when my parents took me for the first time to enroll in the local library, where they had to sign a form promising the librarian that they would be responsible for the privilege accorded me of taking care of books, including borrowing and returning them on time. Sometimes, I would stay in the library to peruse those curious adult books without any pictures, just pages of big words I could sound out but never really comprehend. My imaginative life grew and just seamlessly morphed into writing —-

 

 

 

 

 

 

 

 

 

 

 

No More Dreams

by Mark Fischweicher 

Dead of winter

xxxxxAll the leaves are brown and 
xxxxxthe sky is gray

Pine needles carpet the woodland trails,
and, with its monochrome horizon,
the landscape unfolds and,
even as the days
begin to grow,
you never know where
the moon will be
but that the sun will rise above the barren trees
seems likely for a few more years,
or centuries, or maybe
a millennium or more, but,
at least, this year, I think
that spring will come
and so will summer 

and so, for now, to keep them happy
every other morning, I fill the feeder with nuts and seeds and tasty
bits of fruit
and watch for black-capped chickadees
and purple finches, and
dark-eyed juncos,
and maybe one or two black-backed three-toed woodpeckers
or just a few, a trio or a chorus if they will of some black-throated warblers
with something smart to say or
mourning doves or all the Cardinals and their families
come to church just for the day
till evening when I take the feeder in
as once a bear had come in from the woods behind the house
and bent the steel pole it hangs on
like a twig, but
it is not the birds I think of now
who spend their days here, dependable as sun. 

No dreams for me
My only two nocturnal visitors are just the two opossum that
come looking for the nuts and seeds and bits of fruit their feathered friends
have scattered in the grass and fallen snow. 

I watch for them
am pleased when they return,
old friends should never be forgotten
I shave with Toby’s brush,
badger,
not so unlike opossum,
but he, no,
he will not return.
Ancient peoples, plagues and parents,
no monuments for these,
Perhaps some footprints in the snow will prove that they were here
and as it always seems,
the path leads to our home
welcoming the darkness as it falls
within it
A quiet comfort before the sleep I take alone,
and I,
with you beside me, 

all aflutter

Mark Fischweicher has been scratching out poems since junior high school and still hopes it may become a regular thing.

 

 

The Worst Seat in the House

by Stewart Alter

Fidgeting and uncomposed,
His coat in the way,
He wanted to leave his seat
When the performance began
To join the actors onstage.
He was drawn to the radiance
Of sequenced moments
And exposed intentions
Through lines ripened in memory.
He wanted to be a presence
Close enough to hear their breaths
Rounded into words—
Not, as he now heard,
Coughs in the assembly
Of shadows, in the role
Of the distracted, eavesdropping
On half-completed scenes.
His thoughts mingled and astray,
He turned them toward the vague
And disturbing muttering,
So bitter and blistering
And untransformed by artifice
That he was unsure what to say.
He wanted to leave
The darkness,
But someone had to stay
In the audience, to watch
And to listen,
With no role to play. 

Stewart Alter, who joined LP2 in the Fall of 2020, has been writing poetry and painting intermittently before, during and now after a long career in business journalism and corporate communications.