On Staying Afloat

by Mary Padilla

I said what I said.
I said what I meant.
And I meant what I said
when I said it.

And that was true then
but now this is now,
and you need to continue
to change with the times.

Things that don’t bend,
will go on to break.
Being rigid can get
in the way of what’s real.

How could I know
when I said what I said
just what that would mean
some time after I said it?

Things change, and then
we need to change with them,
or be left far behind
when the paradigm shifts.

Yes, it was true then
but it no longer fits
what is right now or
will be in the future.

We can’t just stop time
and if we still try
it is then more than likely
that time will stop us.

To stay in the stream,
we have got to release,
or it will keep flowing on
past and then over us.

Mary Padilla: I write to see what will come out.

I’m a Congressman Not a Murderer

by Robert Nelson Chan

When diagnosed with brain cancer—the worst thing that ever happened to me…until now—I thought my life was over. After surgery and debilitating rounds of chemo, the doctors pronounced me in complete remission, although I continue to suffer from headaches and memory glitches. It wasnt all bad; while convalescing I wrote AI Curse or Blessing; A Balanced Examination, which became a surprise bestseller.

 On the strength of that success, I ran for congress, and to my amazement won. As the only congressman with a PhD in computer science, I headed the Congressional Artificial Intelligence Caucus. Having come around to the belief that AI is more curse than blessing, I spearheaded the AI Restriction Act. My speech on the House floor warning of the dangers of AI received overwhelmingly positive press coverage. Suddenly I was a minor celebrity. My mom wouldve been proud. My staff responded to the numerous emails we received but forwarded to me those of interest, including one from a Susan Smallville, which they found hilarious:

Youre an oratorial genius, on a par with Winston Churchill and Daniel Webster. I think I love you. Knowing that the bane of congressmen is the continual need to raise money, Im sending you the $3,300 maxim individual contribution and lining up numerous friends and relatives to do the same.

I wrote her a handwritten note of thanks.

She responded, Can we meet? I have some ideas youll find of interest.” 

 She seemed a little off—my public speaking ability is actually somewhere between Elmer Fudds and Joe Bidens—but anyone who contributes such money and promises more is eccentric, not crazy. So, I agreed to meet her for drinks.

She never showed. Fine with me. Her check bounced. Not fine.  Five weeks later, she wrote, Im pregnant…youre the father.”

Weve never even met,” I responded, and that was that.

But then the police found her, throat slit by a carving knife bearing my prints. Searching her computer, they turned up passionate emails between us, which also appeared in my spam file. Worse, they found videos of us having rough sex and fighting over my insistence that she abort our supposed baby. Medical examination revealed that shed had a miscarriage so there was no way to check for my DNA.

 What the…? I may have memory issues, but Ive never been violent…as far as I remember.

My tearful denials were met with understandable disbelief—even I didnt fully believe them. My wife left me, taking our children, and the House initiated expulsion procedures. My lawyer got me out on $2 million bail conditioned on my wearing an ankle bracelet monitor. No promises, but he hoped to negotiate a plea from murder to manslaughter—fifteen years without the possibility of parole. Temporary amnesia isnt a defense.

Despairing, desperate and disconsolate, I consulted the most advanced AI app, which responded:

If you oppose the AI Restriction Act, a video will turn up of Susans ex-husband breaking into your apartment and stealing your knife, the videos of you and her will turn out to be deep fakes, and the emails will be shown to have come from his computer and routed through hers and yours.

 That response disappeared, replaced by Youre royally fucked,” accompanied by a wink emoji. 

 I wrote, I agree to your terms.” And I hoped.

 When arrested, Susans ex made a full confession.

Thats how I became the most passionate congressional advocate for the unrestricted use of AI.

Resistance is not only futile, its dangerous.

Robert Chan, a semi-retired litigator has written 10 published novels. His
highly praised autobiography, An Unexamined Life is available at
https://www.amazon.com/dp/B0CTZ2KXVP?ref_=pe_93986420_774957520

Letter from the Publishers 2023

Welcome to the 2023 edition of Voices Online, the literary magazine of the Lifelong Peer Learning Program. Earlier editions—going back a decade—can be found on this web site.

We are happy to present the work of eight poets and twelve prose writers. Some of this writing has been generated in LP2 study groups and activities. Some of it is the creative work that our members have done on our own. We hope that in future issues even more of our talented members will be represented.

Much thanks to the editors and readers who have helped to make this possible—and, of course, to our contributors!

Charles Troob
Publisher

Lorne Taichman
Associate Publisher

Masthead 2023

Charles Troob, Publisher
Lorne Taichman, Associate Publisher

Prose Editors: Mary Houts and Eric Roper
Prose Readers:
Mary Houts
Ruth Kavesh
Eric Roper
Ira Rubin
Andrew Shapiro

Poetry Editors:
 Carmen Mason and Irene Sax
Poetry Judges:
Linda Anstendig
Carmen Mason
Judith Meyerowitz
Irene Sax

Table of Contents POST 2023

Masthead

Letter from the Publishers

Prose

Robert Chan, Artificial?
Robert Chan, The Late Robert Chan
Pat Fortunato, I’ve Lost It!
Pat Fortunato, The Invasion of the Pasta People
Sonya Friedman, Sidney Lumet, Firm Director
Sonya Friedman, Vermont: Second Nature
Judith Meyerowitz, Memoirs of a Brighton Beach Childhood
Judith Meyerowitz, The Advice-Giver
Mary Padilla, As Seen Through the Leaves
Mary Padilla, On Aggression
Sara Petitt, Lunch at La Marine in Paris
Ira Rubin, The Atria Roundtable
Ron Russo, A Stack of Photographs
Ron Russo, Uncle Matt
Mark Scher Death and Dying
Mark Scher, Quest for Meaning
Lorne Taichman, Music Mania
Charles Troob, Shaving
Richard Zacks, Survivors

Poetry

Stewart Alter, Theban Shocker
Stewart Alter, Misplaced
Stewart Alter, The Businessman’s Lament
Mark Fischweicher, For the Birds
Mark Fischweicher, Things that Return
Mark Fischweicher, Unfallen
Mark Fischweicher, Tirade to Dismiss My Fall
Rosalie Frost, Girl-talk
Rosalie Frost, What We Owe
Carmen Mason, Dylan
Carmen Mason, Raccoon
Carmen Mason, Sonnet VII
Carmen Mason, Poemless in Gaza
Judith Meyerowitz, Jump Up Children
Judith Meyerowitz, A Chinese Scholar’s Garden
Judith Meyerowitz, Ode to Sylvia
Judith Meyerowitz, Is This One?
Mary Padilla, Improvising
Mary Padilla, Letter to You
Mary Padilla, Joy
Mary Padilla, Nobody Goes There
Mireya Perez Bustillo, A Cow Jumped Over the Moon
Mireya Perez Bustillo, Bed
Mireya Perez Bustillo Reclaimed
Mireya Perez Bustillo, Cordillera Oriental
Charles Troob, Napoli

A Stack of Photographs

by Ron Russo

I recently found a photograph, tucked inside an envelope within the large photo album that contains old family pictures. It wasn’t a photo I remembered, and it took me a while to figure the setting. My mother and her four sisters are seated in beach chairs, each of their husbands standing behind. And comfortably ensconced on Aunt Catherine’s lap is a red-headed, beaming four-year-old. That four- year-old is me.

After a moment’s thought, I realize that the picture’s setting is Bethpage State Park. Once or twice a year, the family would gather and go on a day-long picnic. Since neither my parents, nor any of my aunts and uncles, owned a house with a backyard, we always held our picnics at Bethpage.

What a thrill these gatherings provided! All the cars would rendezvous in front of someone’s home, then they’d follow each other to the picnic grounds. We’d meet at seven in the morning, usually on a Sunday. Each car was exploding with people and goods. To an outsider, it must have looked as if we were going on vacation. Food for three, yes three meals; folding chairs, blankets, portable radios, barbecue grills, charcoal, plates and cups, utensils, changes of clothing, The night before one of these events my mother would be lining up goods to bring, checking items against her list. “It looks like we’re going on a goddam safari,” she’d inevitably say. “It’d be easier to move.”

Once we got started, the four or five cars would compete to get to the toll booths on the Southern State Parkway first and pay the toll for all the cars following. Once in a while there’d be a slip-up and some stranger’s car would break into our line-up and get a freebie on the toll.

Picking the spot to settle in was worthy of a project for the United Nations. Too open, too shady, too sunny, too many tables nearby, too far from the restrooms, too close to the restrooms. When a decision was finally made, the cars would start to unload.

First item of business: get a fire going. That was my father’s specialty. Next, fill a huge pot with water to brew coffee. Oh, the smell of that coffee as it started to perc, wafting through the outdoors. Meanwhile my dad and one or two uncles would start heating a few griddles, which ultimately would fry the bacon. Then the eggs were cooked, sunny-side-up. Italian bread would get sliced and quick-toasted on the griddle, giving it a hint of bacon taste.

After breakfast, someone would take me and my cousins to the playground. We’d scurry around like wild creatures, competing for the swings, slides, monkey bars. It usually took a major effort to get us back to the picnic tables.

But back we’d go, as preparations for the mid-day meal were beginning. The women would start setting the table, and the men would start drinking beer. Each household would have brought a pot of spaghetti sauce – – specifically, the same tomato sauce with meatballs and sausage that we’d be eating if we were at home. Huge pots of water were put up to boil the pasta as the sauces heated. Bottles of red wine emerged as everyone sat for a midday meal.

Afterwards it was rest time – – and why not? Both the men and the women would have been working hard for the last five hours. And would have downed a fair bit of beer and wine. Aunts and uncles would sprawl across blankets or on beach chairs and try to catch a nap. But there wasn’t much quiet. Someone always had a story to tell or a child to keep tabs on.

Around four-thirty, we’d finally turn into an American family. Hot dogs, hamburgers and chicken would appear once the fires were again stoked on the grills. And potato salad. And cole slaw. And sliced tomatoes. Everyone would groan, “Who wants hamburgers after all we’ve had to eat already. Next year we’re going to simplify this.” But eat we did, and heartily. Someone would invoke an old Italian saying, “L’appetito viene mangiando” which is to say “Appetite comes with eating.”

As the sun would start to set, we’d begin packing up. This was the saddest time; I wanted these picnics to go on forever. One year – – perhaps the year in which the photo was taken – – I begged to drive home with my Aunt Catherine and Uncle John. They were my favorites. Often, at the end of a visit, either or both of them would catch me alone and slip me a ten-dollar bill. “Don’t tell your mother,” they’d say. I got my wish after Aunt Catherine yelled at my mother that it was fine for me to ride with her. About halfway home, I got carsick and vomited into my aunt’s lap. My mother wanted to kill me when we got home and she saw the mess I’d made, but Aunt Catherine shushed her, said it was worth it to have me in the car, and that was that.

Each following year, until I was in my late teens, we’d have the annual picnic. Thank goodness, I never vomited on anyone again. And though it was still suggested, the meals never got “simplified.” Appetite always came with eating.

Ron Russo has been motivated to write by participating in a number of writing study groups given at the LP². My thanks to coordinators and fellow writers.

Uncle Matt

by Ron Russo

I can still hear his voice, calling from the bottom of the stairs that led to our apartment. “Hey stupid. Make the coffee.”

“Are you here again? Get the hell out, I’m busy” my mother would reply to her younger brother, as she was smilingly putting up water to boil.

Saturday mornings, near noon, would often begin this way. Uncle Matt would come to visit, take a seat in the kitchen, and wait for my mother to pour the first of many, many cups of coffee. “Get the bottle out, too.”

“You old drunk, wait till I tell your wife you’re boozing so early in the day,” she’d say as she placed a bottle of Seagrams 7 and a shot glass in front of him. He’d nurse a sip of the coffee, then one of the booze, and settle in for a visit. When I was in college, I’d most likely still be sleeping. That was no obstacle to Uncle Matt. He’d walk into my bedroom without knocking, give me a shake and say, “Get up, Ronood, come have a drink with me. Best way to start the day.”

“Matt, for Christ’s sake, don’t turn my son into a bum like you,” my mother would say as he was pouring me a shot.

“Shut up, Ida, he’s a man now.” Then the talk would commence, starting with family catch-up. There were nine children in my mother’s family, so there was plenty of ground to cover. When that was finished, other stories would begin. “I saw Frankie Skimp last week, Ida. He was asking for you.”

“You and your thug friends,” she’d respond. “Frankie Skimp, Johnny Lay, Mikey Dee – – nice guys but all shady. None of them ever did a lick of legit work their whole lives.”

“Well, I did a little business with Mikey the other day.”

“What business? If you ever went on a job with one of those guys you’d crap your pants. And if you lived to tell about it, Josie would kill you.”

“Pay attention, Ronnie,” he’d say if it seemed my attention was wandering. With a finger crooked in my direction, Uncle Matt would deliver one of his famous lines: “I’m gonna ask questions when I’m finished, and you won’t know the answers if you’re not listening.”

Around one-thirty, my father would show up, laden with cold cuts, bread and various salads. Quickly my mother would set the table and soon we’d be feasting on prosciutto sandwiches on crusty Italian bread, with fresh mozzarella, roasted peppers and pickled eggplant on the side. Once in a while, the visit would last till four or five o’clock, at which point my father would say, “Stay for dinner. Call Josie and tell her to come over and we’ll pass the night.” Often she’d agree, and she and my cousin Joanne would show up around six. By then neither Uncle Matt nor my father was feeling any pain. Dinner would be pulled together as my uncle continued to spin yarns, some true and some rather questionable.

“So they gave us an intelligence test at work last week,” he’d share. He was an operations manager at the Kimball corporation, and he’d made his way up with only an eighth-grade education. “The test put me in the top ten per cent.”

“Why don’t you go throw the bull elsewhere?” my mother would respond.

“No, really – – besides, what would a dummy like you know about intelligence?” he’d taunt her. “ I scored 180 out of 200 points. Remember that, Ronnie,” he’d say with a quick glance, finger pointing at me. Often the evening would progress with us watching a movie, if something good was on. But sometimes Uncle Matt would say, “Charlie, get the ukelele. Let’s show these cayoodle kids what real music was like.” “Cayoodle’ was one of many words he’d invented, generally translating to ‘not-so-bright.’ A medley of songs would ensue, always including “That Old Gang of Mine” and “I’ll Be Seeing You.” “Sing with us” he’d say to me and Joanne. “You should know the words by now. You better – – it’s gonna be on the test.”

Even on his deathbed Uncle Matt maintained his pose as entertainer and raconteur. On my last visit to the hospital, he had a new roommate – – a very old man who moaned loudly and incessantly. When I greeted my uncle, he beckoned me closer. “Ronnie, go to the nurses’ station.”

“Sure, but why?

“Tell them not to order lunch for this guy tomorrow.”

“Okay, but why?”

“Because I’m gonna strangle him later.”

Ron Russo has been motivated to write by participating in a number of writing study groups given at the LP².  My thanks to coordinators and fellow writers.

Shaving

by Charles Troob

The Harry’s Shave Gel can is a narrow seven-inch-long cylinder. I grasp it with my left hand, into which it fits comfortably, and press the curved dispenser with my index finger. Out oozes a viscous white cream, filling my waiting right hand. The obvious symbolism amuses me. I wonder whether the Harry’s design team was similarly amused when they created this suggestively shaped can.

I smear my face with the gel. I use a finger to fill the cleft in my chin, and think of my mother, who for some reason was delighted by this feature of mine. Then I spread my hand to cover the area under my chin and my neck, gently massaging the sides of my windpipe. This lubricated contact of my warm hand with my face is a mildly erotic and luxurious start to the morning.

I place the bladed side of the razor against my left temple, under the sideburn. I gently pull downward and over the jaw line, removing gel and hair as I go, repeating this until the entire side of the face has been shaved. I shave the chin, spreading the skin to expose the hairs in the cleft. Then I move to the right temple. This side is a little trickier because I’m right-handed; I have to raise my chin to position the razor at an appropriate angle.

I lean my head back to shave the neck and under the chin. I make short vertical strokes, gradually moving from left to right. It’s like painting a wall, except that I’m removing whiteness rather than adding it. Usually a musical earworm in my head accompanies and guides the rhythm of my hand. It’s a jaunty tune, from the finale of Donizetti’s L’Elisir d’Amore (The Elixir of Love): the quack Dr. Dulcamara sings it to hawk his cure-all patent medicine. (You can see and hear him at https://www.youtube.com/watch?v=UI8VUsb2Z7s. ) A few years ago this melody came into my head while I was shaving, and it returns unbidden when I begin my short strokes—Pavlov would understand. Occasionally I hum along or jiggle my body in time with the music.

Before the doctor finishes his sales pitch most of the gel is off my face and in the sink. I rinse with warm water and rub my hand over my neck and jaw to test the smoothness. Invariably there are still a few bristles. I am fair, and can get away with a not-very-close shave, but if I’m feeling obsessive I stroke a few more times to improve the job. Then I towel down—I’ve showered before shaving, and am almost but not quite dry at this point. I leave the bathroom to dress for the day, feeling pampered and refreshed.

The mustache? Ah—that’s another story.

Charles Troob: I’ve been a participant or a coordinator of the LP² writing workshop since 2010, and I’ve been shaving considerably longer than that.

Music Mania

by Lorne Taichman

My current playlist has one entry, Beethoven’s Piano Concerto No. 4. I listen to it at least once a day, and if rushed, I tune to the first movement and skip the rest. I love the way it begins so hesitantly and then gains in confidence as the theme is developed. It moves me each time I hear it. No. 4 has been the sole occupant of my playlist for the past few years. Before I focused on No. 4, I spent several years listening to Beethoven’s Piano Concerto No. 3, also a masterpiece. I spent the 1990s in the company of the Emperor, that is the Emperor Concerto, Beethoven’s Piano Concerto No.5. I know – I am the most boring and unimaginative listener. I am a borderline obsessive compulsive when it comes to music – I understand. I can’t help it. Let’s face it, when it comes to music we are not fully in charge.

I was first introduced to Beethoven’s piano concertos in the early 1990s when I purchased a five CD set with all five concertos on the Telarc label performed by Rudolf Serkin. The nice man at the CD store said they would never wear out, no matter how many times I played them. After a ruthless number of performances on my weary CD player, one CD began skipping, another developed a weird sound, and one just wouldn’t play at all. With the loss of that CD set I migrated to YouTube.

I think I know the origin of this fixation. Some sixty odd years ago, for reasons that now elude me, I bought a record of Beethoven’s Fifth Symphony. You know – “dah dah dah dum.” Well, after listening to that several hundred times, I recall feeling physically lifted, suspended in space, while the music rushed headlong on to its crescendo. That was the moment I fell in love with classical music and Beethoven in particular. Over time, I did manage to listen to other pieces. As a teenager, Ravel’s Bolero was good for making out, though those opportunities were infrequent. For several years in the early 1970s I listened only to James Taylor singing Fire and Rain. I loved the gentleness with which he came at those sad lyrics. Focusing on James Taylor was my attempt to be hip. For two years from 1980 through 1982, I gave all my attention to Dvorak’s New World Symphony. That piece seemed to capture the promise and hope of America. But when I learned that my brother had a deadly form of cancer, I punished myself by abstaining from listening to that piece. A few years back I enrolled in James Smith’s IRP class on Beethoven…masterful. I attended the entire series of lectures and concerts on the Beethoven symphonies given by Leon Botstein, the conductor of the American Symphony Orchestra. All nine symphonies are glorious, but they do not calm the soul like the piano concertos.

Some weeks past, I attended a country western concert at Symphony Space by a group called Ham Rodeo. It was unusual and energizing. When I returned home, I put on No. 4, just to settle down. I enjoy going to the NY Philharmonic Open Rehearsals at Lincoln Center. In fact, recently, I attended a rehearsal concert by piano soloist Stephen Hough. He was rehearsing Concerto No. 3 for a performance that evening.

You may be wondering why I ignore Beethoven’s piano concertos No. 1 and No. 2. It’s not a mystery. I enjoy them, yes, but they don’t capture me in the same way as Nos. 3, 4 or 5.

I should confess, I also listen to the 3rd Movement of Beethoven’s 9th Symphony. It is the auditory definition of beauty. On NPR, I once heard of someone who listened to that movement every evening of his life. Now, that is an obsession.

For some years a disturbing thought about death was how would I manage in the absence of those musical pieces. In my musings, I imagined myself, looking down from above, witnessing my family and friends as they went about their lives. But the mystery was, which concerto would I be listening to, No. 3, No. 4 or No. 5, or even the second movement of Symphony No. 9?

Lorne Taichman: This essay was written in 2019 for the Advanced Autobiography Study Group coordinated by David Grogan. Lorne has been a member of IRP/LP² for about nine years.

Lunch at Le Marine in Paris

by Sara Petitt

I sit in a magnificent blue and white striped tented cafe in the newly renovated Le Marine.

The couple sitting next to me are bird like and delicate. I can’t imagine either one being married to anyone else. Such perfection in pairing is unusual to see.

I can’t discern if they are Swiss but they may be.

They talk in hushed whispers. The man is in his 70’s and wears a large expensive watch with a multitude of functions. He rubs his chest where his heart is and flexes the fingers of his left hand by stretching and recoiling them.

I fantasize that he has suffered a heart illness recently. He protects his heart the way a pregnant woman strokes her belly reflexively without even knowing it.

They are too refined for dessert. Just an expresso after a lunch of salad.

I observe less of the woman because she sits beside me. As I would expect she wears a thin gold wedding band. There is no need for flashy diamonds. Not only would they weigh her delicate fingers down but they would contradict her quiet and unobtrusive appearance.

I wonder how many bird-like children they have and what professions they are in. Is finance too vulgar for them? Trade would not work either. They would have to limit their communication with the outside world to slender-boned creatures like themselves.

I feel as if I belong to another species of Homo sapiens looking at them.

Voila, they alight and leave me at my table imagining.

Sara Petitt has a BFA from Bennington College where she majored in Fine Arts and minored in Literature. Although she has always worked professionally in art as a teacher and designer her second passion is writing. LP² gives her the opportunity to pursue her writing.